Agnès Varda

3 films

1928-2019

A major figure in French cinema, Agnès Varda built a unique, free-spirited, and profoundly human body of work at the crossroads of fiction and documentary. A photographer by training and a filmmaker by intuition, she constantly explored the world with curiosity, humor, and commitment. Her films give voice to the invisible, question time, places, bodies, and memories, while inventing new forms of storytelling.

Cléo de 5 à 7 - Affiche
Drama, Classics19621h30
by Agnès Varda

Cleo, a young and pretty singer, waits for the results of medical tests. From superstition to fear, from the Rue de Rivoli to the Café du Dôme, from coquetry to anxiety, from her apartment to Parc Montsouris, Cleo lives through ninety peculiar minutes. Her lover, a musician accompanist, a female friend, and then a soldier open up her eyes to the world.

creatures.jpg
Available soon
Comedy-drama, Classics19661h30
by Agnès Varda

Ce film raconte une double histoire : la vie d'un couple et la naissance d'un roman. Edgar et Milène vivent comme des reclus à Noirmoutier, ils ne peuvent pas dialoguer, mais ils s'aiment, et leur amour va donner la vie à un enfant. Quant au roman d'Edgar, il naît de rien, car au hasard de ses promenades, il rencontre des personnages quotidiens, qui deviennent, les " créatures " de son roman. Les " créatures " prennent vie au cours d'une partie serrée dans laquelle Edgar défend non seulement ses convictions, mais aussi son amour.

L' une chante, l'autre pas - Affiche
Available soon
Classics, Drama19762h00
by Agnès Varda

The film is a feminist musical. Two young girls live in Paris in 1962. Pauline (17), a student, dreams of leaving her family to become a singer. Suzanne (22) is taking care of her two children and is dealing with the drama of their father's suicide. Life separates them, each one living her own struggle as a woman. Pauline became a singer in a militant and itinerant group after having lived a difficult union in Iran. Suzanne is out of her misery and works at the Family Planning. Ten years later, they meet again during a feminist demonstration. At the end of this chronicle, we find them together again, with their children who have grown up.

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